Tuesday, August 16, 2005

Documents, reportedly leaked from the investigation into the death of Jean Charles de Menezes, the Brazilian electrician shot dead by British Police on the London Underground on 22 July reveal that Mr de Menezes was not acting suspiciously and was already restrained when shot.

Furthermore, the documents reveal that the original report given by the police and recorded on the coroners report contained many false statements. The reports suggest the police shot Jean Charles de Menezes because they mistakenly identified him as Hussain Osman, and had agreed to shoot him if he ran. Hussain Osman was suspected of having placed a faulty or mock explosive in a train.

The original reports claimed that de Menezes was acting suspiciously, was wearing a padded jacket, and ran when challenged, even vaulting the ticket barriers. However, the leaked documents, which include statements from officers involved in the operation and photographs of the scene, show that he behaved like any other commuter, used his travel pass to enter the station, even picking up a newspaper on his way. He was not challenged by police, and appears to have been unaware of being followed until after he entered the train. Photographic stills show he was only wearing a light denim jacket. It appears that he only ran in order to reach a train that was about to leave the platform.

The leaked document describes CCTV footage, which shows Mr de Menezes entered Stockwell station at a “normal walking pace” and descended slowly on an escalator.

The document said: “At some point near the bottom he is seen to run across the concourse and enter the carriage before sitting in an available seat.”

An eye witness, who was sitting opposite de Menezes on the train, is quoted as saying: “Within a few seconds I saw a man coming into the double doors to my left. He was pointing a small black handgun towards a person sitting opposite me. He pointed the gun at the right hand side of the man’s head. The gun was within 12 inches of the man’s head when the first shot was fired.”

This report is considerably different to initial reports that claimed de Menezes tripped as he fled onto the train, before being restrained by pursuing officers and shot. Photographs leaked to ITN appear to corroborate this new witness’s report as they clearly show blood on the seat in which de Menezes is said to have been sitting.

Other statements suggest that the Brazilian was seated before being pinned down by a plain-clothed police officer. Plainclothed armed officers had entered the carriage at this point. Several shots were then fired and de Menezes was hit seven times in the head and once in the shoulder. Three further shots missed Mr Menezes.

A community officer’s report (one of the leaked documents) confirms that Mr. de Menezes was seated and restrained at the time of being shot:

“I heard shouting which included the word ‘police’ and turned to face the male in the denim jacket.

“He immediately stood up and advanced towards me and the CO19 [the armed unit] officers …I grabbed the male in the denim jacket by wrapping both my arms around his torso, pinning his arms to his side.

“I then pushed him back onto the seat where he had been previously sitting … I then heard a gun shot very close to my left ear and was dragged away onto the floor of the carriage.”

The leaked documents confirm that Police had been given permission to shoot if a suspect was non-compliant, having been told that “unusual tactics” may be required and if they “were deployed to intercept a subject and there was an opportunity to challenge, but if the subject was non compliant, a critical shot may be taken.” It is thought that when he ran for the train officers felt this was suitable evidence of “non-compliance”.

The Independent Police Complaints Commission (IPCC) said its priority was to keep Mr de Menezes family informed and refused to comment on the details of the leak.

The commission said the family “will clearly be distressed that they have received information on television concerning his death”.

In an interview with the Guardian Newspaper, Asad Rehman, spokesman for the family’s campaign, called for a public inquiry. “This was not an accident,” he said. “It was serious neglect. Clearly, there was a failure both in police intelligence and on an operational level.”

Harriet Wistrich, the family’s solicitor expressed concerns, during an interview with ITN, that the Police had withheld information from the investigation for a longer period than was permitted under UK law. Ms. Wistrich also claimed, in a separate interview with the BBC, that the documents suggest that the original information given to the pathologist who carried out the post-mortem examination on Mr de Menezes was incorrect and that the information the leaked documents contained was “shocking and terrifying”.

“What sort of society are we living in where we can execute suspects?” she asked in the BBC interview.

An unnamed senior police source told the Guardian that the leaked documents and statements give an accurate picture of what was known so far about the shooting. Former Flying Squad commander John O’Connor told the BBC “had the normal procedures taken place in which a warning is given and officers wear specially marked clothing then this young man may not have been killed.”

The IPCC statement added: “The IPCC made it clear that we would not speculate or release partial information about the investigation, and that others should not do so. That remains the case.”

Mark Oaten, Home Affairs Spokesman for the Liberal Democrats, said: “If true, these preliminary findings will create obvious concerns. It is in the best interests of the police and the community for the full report and any recommendations, to be published as quickly as possible.”

Friday, August 5, 2016

On Wednesday, an Emirates Boeing 777 crash-landed in Dubai with 282 passengers and 18 crew on board, according to the airline. This resulted in the death of a firefighter, Jasim Issa Mohammed Hassan, who died fighting the fire at the crash. The Director-General of the UAE’s General Civil Aviation Authority, Saif Al Suwaidi, praised Jasim Issa Mohammed Hassan’s sacrifice in saving hundreds of passengers.

According to passenger accounts, the pilot announced an emergency landing minutes before the crash. Then the airliner, flight EK52, was engulfed in smoke at landing and soon after burst into flames. Passengers spoke of their fear.

The airport was shut down for four hours after the incident and all crew members and passengers on the flight from India were accounted for and safe, with fourteen reported hospitalised with minor injuries.

The cause of the crash has not been officially announced, however reports indicate the plane’s landing gear may not have deployed as the plane landed. An aviation safety consultant, in remarks to Australia’s ABC News, noted safely and efficiently evacuating all the passengers was a significant achievement, considering the size of the aircraft.

The airline said two people on the flight were Australian, eleven from the United Arab Emirates, 24 from the the UK, and 226 from India. The co-pilot of the crashed plane was an Australian with approximately 7,000 hours flying experience, according to Emirates chairman Ahmed bin Saeed Al Maktoum, who also said the crash was not due to any fault in security.

Thursday, November 23, 2006

Renowned University of Michigan college football coach Bo Schembechler, died Friday at the age of 77.

Schembechler collapsed at the studios of WXYZ-TV after taping a TV show on the eve of the Wolverines’ No. 1 vs. No. 2 showdown with perennial rival Ohio State. He was taken by ambulance to the hospital where he died at 11:42 a.m. “The electrical part of the heart was working fine but the mechanical part was not working,” said Dr. Shukri David, the head of cardiology at Providence Hospital. “The heart was sending signals to the heart muscle to contract. The muscle was not responding.”

Schembechler had a heart attack on the eve of his first Rose Bowl in 1970 and another one in 1987. He had two quadruple heart-bypass operations, and doctors implanted a pacemaker to regulate his heartbeat after he became ill during a taping at WXYZ on Oct. 20.

“This is a tremendous shock and an irreplaceable loss,” University of Michigan president Mary Sue Coleman said at a news conference at Providence Hospital in Southfield, where the coach died.

The seven-time Big Ten coach of the year compiled a 194-48-5 record at Michigan from 1969-89. Schembechler’s record in 26 years of coaching was 234-65-8.

Monday, March 21, 2005

Automobile industry pioneer, John DeLorean, died Saturday in a New Jersey hospital by complications from a stroke.

DeLorean was born in 1925 in Detroit, Michigan to European immigrant parents. He received an education in automotive engineering and quickly rose through the ranks of Packard and later General Motors (GM). DeLorean was credited with the development of the Pontiac GTO, which helped introduce the era of “muscle cars”. By 1965, DeLorean led the entire Pontiac division, and four years later was promoted to the prestigious position of leading GM’s Chevrolet.

In 1973, DeLorean quit General Motors and started his own company, the De Lorean Motor Company. The company’s product was the DMC-12, an unusual car featuring an unpainted, stainless-steel exterior and gull-wing doors. The company started production in 1981 but failed less than two years later, having produced under 9,000 vehicles. Despite the company’s failure and the car’s dismal sales, the car itself gained a cult following after the release of the 1985 movie Back to the Future which featured the car as a time-travel machine.

DeLorean himself was in nearly as much trouble as his company. In 1982 he was arrested for attempting to sell $24 million worth of cocaine to undercover police, and after his company’s failure, he became involved in a multitude of lawsuits alleging investor fraud. Though DeLorean successfully resolved the cocaine case after claiming entrapment, his other legal cases would drag on until 1999, when he declared bankruptcy.

Friday, November 3, 2006

On November 13, Torontonians will be heading to the polls to vote for their ward’s councillor and for mayor. Among Toronto’s ridings is Beaches—East York (Ward 32). Four candidates responded to Wikinews’ requests for an interview. This ward’s candidates include Donna Braniff, Alan Burke, Sandra Bussin (incumbent), William Gallos, John Greer, John Lewis, Erica Maier, Luca Mele, and Matt Williams.

For more information on the election, read Toronto municipal election, 2006.

Saturday, September 27, 2008

On October 14, 2008, Canadians will be heading to the polls for the federal election. Liberal candidate Susan Kadis is standing for re-election in the riding of Thornhill.

During the recently disbanded session of Parliament, Mrs. Kadis was the Official Opposition Critic for National Revenue. She served as a member of the Caucus Committee on Economic Prosperity and a member of the Standing Committee on Health. She was elected as Chair of the Greater Toronto Area (GTA) Liberal Caucus. The former publisher of The Thornhill Times community newspaper, she has served as a school trustee and City Councillor. She has served on the Canadian Breast Cancer Foundation’s Board of Directors, being a survivor herself.

Wikinews contacted Susan, to talk about the issues facing Canadians, and what they and their party would do to address them. Wikinews is in the process of contacting every candidate, in every riding across the country, no matter their political stripe. All interviews are conducted over e-mail, and interviews are published unedited, allowing candidates to impart their full message to our readers, uninterrupted.

The incumbent in the riding, Kadis faces three challengers: former broadcaster Peter Kent (Conservative), Norbert Koehl (Green), and Simon Strelchik (NDP). The riding of Thornhill includes the part of the City of Vaughan that is east of Highway 400 and south of Rutherford Road, and the part of the Town of Markham west of Highway 404. The previous MP in the riding was also Liberal, Elinor Caplan, who was the Canadian Minister of Citizenship and Immigration and later Minister of National Revenue.

For more information, visit the campaign’s official website, listed below.

Thursday, November 29, 2007

President Pervez Musharraf of Pakistan gave up his uniform in a ceremony yesterday in Rawalpindi. He handed power over to General Ashfaq Parvez Kayani at the headquarters of the Pakistani Army, after being the leader of the army for nine years.

In his final address as leader of the army, he said that the army was the saviour of Pakistan and that the army was his life. He also expressed his pride in being the leader of what he called a “great force.”

Musharraf had been under a lot of pressure to quit as army chief, since the country was put into the spotlight as a result of a state of emergency being declared. He is expected to be sworn in as the civilian president of Pakistan on Thursday.

Both the opposition leader, Benazir Bhutto, and the US secretary of state, Condoleezza Rice, welcomed the change of duties. However, Bhutto indicated her party may not be prepared to accept Musharraf in his new non-military leadership role. Condoleezza Rice requested the state of emergency be lifted before the planned elections, which are due to take place in January.

Musharraf said General Kayani was “an excellent soldier” and that “the armed forces under his command will achieve great heights.”

General Kayani was named as the successor to Musharraf in October, before the state of emergency was declared in early November.

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.

DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.

Monday, August 31, 2009

A study performed at Edinburgh University, Scotland has shown that aspirin may do more harm to your health than good.

The research at the university in Scotland was to assess the effects of taking aspirin on a daily basis where no prior or existing medical conditions would merit its prescription. The researchers monitored 3,350 patients aged between 50–75, who were thought to be at risk of heart disease, but did not show any significant symptoms at the start of the study. Over an eight-year time period, 181 of those people taking aspirin had heart attacks or strokes.

More than 3,000 men aged 50–75 were randomly assigned to receive a daily dose of aspirin or a placebo pill and were watched over the eight year time period. There were 34 major bleeds in people taking aspirin, or 2%, in comparison to 1.2% of those who took the placebo. The Aspirin for Asymptomatic Atherosclerosis (AAA) have found that the routine use of aspirin does not prevent vascular disease or conditions and the use of it “could not be supported.”

Peter Weissberg, a professor at the British Heart Foundation, the company which was partly responsible in funding for the trials said, “we know that patients with symptoms of artery disease, such as angina, heart attack or stroke, can reduce their risk of further problems by taking a small dose of aspirin each day. The findings of this study agree with our current advice that people who do not have symptomatic or diagnosed artery or heart disease should not take aspirin, because the risks of bleeding may outweigh the benefits. Because it’s been around for a long time, people think, ‘It must be safe and it can’t do any harm’. They are taking it ‘just in case’ but it’s much more dangerous than some other drugs that people get concerned about, like statins.”

Professor Gerry Fowkes presented the research from the University of Edinburgh at the European Society of Cardiology congress in Barcelona, Spain, which was attended by more than 30,000 heart specialists.

“Our research suggests that aspirin should not be prescribed to the general population, although it does have benefits for people with established heart disease or other conditions,” stated Fowkes.